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Anasazi Pottery: Sources of Clay

The Anasazi culture lived in what is now called the 4-Corners. The area is rich in sedimentary minerals, consisting of numerous excellent clays, so most Anasazi towns most likely had a variety of good clays within a brief distance from which to pick when making pottery. They collected a powder which they ground into a grindstone called Metate to use in their pots. Most of the geological clays had a high degree of shrinking, so they needed to be burned and performed better than their alluvial counterparts. As the innovation of brown goods shifted north to the Mogollon location, potters continued to search for clay from the floodplains, for a time ignoring the truth that it was abundant and customizing the clay for use. A variety of other clays, such as sand, sandstone, riverbed clay and sandstones, likewise look like alluvial stones.

Anasazi Pottery: Explores Geological Clay

Experimentation with geological clay began in the sixth century, but it was not till 2000 years later on that the production of ceramics followed. The technology was adapted to develop the conditions for the advancement of the very first industrial pottery in Europe and the Middle East in about 3,500 years. The earliest pottery found in the Puebla location is brownware, which appeared in a context that appears to have appeared in Mesoamerica as early as 2,000 years ago. Once established, ceramic production in the south and southwest continued to be affected by design changes in the northern parts of Mesoamerica, and these principles were transferred to the north in modified type. The Kachina cult, potentially of Mesoamerican origin, might have developed itself in the Puebla location, although reasonably couple of Anasazi lived there at the time of the earliest evidence of its existence.Anasazi Pottery: Explores Geological Clay 483858519.jpg Evidence of the cult's existence can be found in depictions of "Kachinas," which appear in ceramics from the south and southwest of Mexico and from the north. Hence, there is no evidence that the early potters of the Asazi were merely influenced by potters working in the South, but rather by the cultural and cultural influences of their northern counterparts.

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