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The Chaco Canyon Culture Collapse

Chaco was characterized by the construction of so-called "Fantastic Houses," or Pueblo Bonito, or Fantastic Homes. The largest of them, the "Pueblos Bonitos," comprised six hundred and fifty spaces, and its building needed making use of more than 2 million cubic feet of wood per square meter. The Chaco Anasazi constructed a landscape that extended from the straight line of the arrow to the Chaco Canyon, with arrows and straight lines, a technical miracle achieved without a compass, wheel or pack animal. A road linked the canyon with 150 other large homes, including the ruins of the Aztecs and the ruins of the salmon. The Chaco became one of the most important cultural centers of the United States and the world with a population of more than 1. 5 million individuals.

Anasazi Pottery: Try Outs Geological Clay

Experimentation with geological clay started in the 6th century, but it was not till 2000 years later that the production of ceramics followed. The technology was adapted to produce the conditions for the development of the first commercial pottery in Europe and the Middle East in about 3,500 years. The earliest pottery discovered in the Puebla location is brownware, which appeared in a context that appears to have appeared in Mesoamerica as early as 2,000 years ago. Once established, ceramic production in the south and southwest continued to be affected by style changes in the northern parts of Mesoamerica, and these principles were transferred to the north in modified type.Anasazi Pottery: Try Outs Geological Clay 0970216517.jpg The Kachina cult, perhaps of Mesoamerican origin, may have developed itself in the Puebla area, although relatively couple of Anasazi lived there at the time of the earliest proof of its presence. Proof of the cult's existence can be discovered in representations of "Kachinas," which appear in ceramics from the south and southwest of Mexico and from the north. Therefore, there is no evidence that the early potters of the Asazi were simply influenced by potters working in the South, however rather by the cultural and cultural impacts of their northern equivalents.

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